![]() Therefore, Standard 13 contains these themes: Territorial Divisions, Cooperation, and Conflict. Conflicts over trade, human migration and settlement, ideologies and religions, and exploitation of marine and land environments reflect how Earth's surface is divided into fragments controlled by different formal and informal political, economic, and cultural interest groups. Competing for control of areas of Earth's surface, large and small, is a universal trait among societies and has resulted in both productive cooperation and destructive conflict between groups. The site editor may also be contacted with questions or comments about this Open Educational Resource.The geographically informed person must understand how and why different groups of people have divided, organized, and unified areas of Earth's surface. ![]() Please send comments or suggestions on accessibility to the site editor. The College of Earth and Mineral Sciences is committed to making its websites accessible to all users, and welcomes comments or suggestions on access improvements. This courseware module is offered as part of the Repository of Open and Affordable Materials at Penn State.Įxcept where otherwise noted, content on this site is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Penn State Professional Masters Degree in GIS: Winner of the 2009 Sloan Consortium award for Most Outstanding Online Program Dutton e-Education Institute College of Earth and Mineral Sciences, The Pennsylvania State University. Dutton e-Education Institute and Assistant Program Manager for Online Geospatial Education, and Adrienne Goldsberry, Senior Lecturer, John A. Dutton e-Education Institute, Beth King, Senior Lecturer, John A. ![]() Dutton e-Education Institute Ryan Baxter, Senior Research Assistant, John A. Instructors and contributors: Jim Sloan, Senior Lecturer, John A. Dutton e-Education Institute, and Director of Education, Industry Solutions, Esri. Author: David DiBiase, Senior Lecturer, John A. ![]()
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![]() There are great details here about that as we see younger classmates coming in, looking up to Harry’s class more and more, the results of school tests, cliques controlling sitting areas of the train or the lawn. There’s the happy return of Quidditch, actually seeing relevant classwork, and bringing us into the popularity race as cliques of teens jockey for social position. However, the movie spends much more time and energy ramping up the romance that has been building for the young wizards and witches over the last couple films. These scenes are added back in masterfully with great care to the audio and video editing. The subplots with Malfoy and the Half-Blood Prince are clearer, as is the horcrux setup and development of young Tom Riddle. ![]() ![]() The deleted scenes added back in here do much to fix these issues. When I first watched this in the theater, the significance of a lot of these events wasn’t apparent and the overall plot with Draco Malfoy wasn’t very clear (what was all the ‘cabinet training’ about?) Also, for a film ostensibly about the Half-Blood Prince, it really doesn’t seem to be about him at all on first watch (and readers of the novels would’ve been positively livid at all the omissions.) This heralds the ramp up to the final events of the whole series, and this film is essentially setting up for that, with Dumbledore going on the offensive against Voldemort, and trying to put others into position for this. ![]() The film starts with the aftermath of the climactic showdown between Voldermort and Dumbledore from OotP and reminds you that Harry has been newly re-orphaned, this time able to experience it as a young adult. I’d attribute this to two main factors: that OotP was the sole HP film written by Michael Goldenberg, and also that several of the performances in this film get very campy at times, which is completely at odds with the overall darkening tone and serious plot of the movie. Re-watching after having seen the whole series, it fares better, though it’s still disappointing. Coming into this film after my favorite in the series, The Order of the Phoenix, I was massively disappointed when I first watched it in the cinema. ![]() ![]() My issue: There is no way to lock or set orientation to landscape. You have a decent amount of settings you can play with for video feed quality, and once you set up your scene for the first time, all you have to do is launch the app on the devices and they automatically pulled up on the stream. This app is browser based, and because each device is given a link based off its IP, you can have multiple websites. They should offer a free stamped/low quality version to try out. I almost didn't jump in on this app because it was paid only. (Each of these apps only allowed one device) ![]() Getting the stream set up each time would require loading up multiple programs, and resetting my scene. crashing, showing blank video, or locking up completely. You had to install software on the computer, and it was really unreliable. I found that every app I had come across was difficult. I had heard of a couple of $5 apps, and was willing to pay to make this work. I sat down for hours trying to figure out the best way to set up my iPhone and iPad as wireless cameras for a twitch stream. The Web Interface gives you access to various image, video, and audio links in addition to the links that control the Flash and Pan / Tilt functionalities, when available. Once ipCam is running you can connect to its Web Interface from most any modern web browser that is also connected to your local network by entering the URL located at the bottom of the screen. Automatic Port Forwarding for routers that support UPnP or NAT-PMP. Dynamic DNS support for DynDNS and No-IP users. Tapping the video preview toggles darkening the screen. Optional Login & Password for additional security. ![]() Digital Pan / Tilt the 4:3 cropped image. ![]() Auto-rotate the image based on device orientation. Adjust the image size, quality, and frame rate. Turn the Flash on and off via the Web Interface. Select either the front or back camera. Stream images, video & audio to compatible applications including most web browsers and our iCamSource and iCamSource Pro apps. IpCam turns your iPhone, iPod touch, or iPad into a Wi-Fi network IP camera. ![]() ![]() Take advantage of the standalone application and any of the plugins for DxO OpticsPro, Adobe Photoshop, Lightroom, Elements, and Apple Aperture at the same time.ĭxO ViewPoint is available in English, French, German, and Japanese. Upgrade pricing is available for previous users of both programs. Whether barrel, pincushion, or fisheye, no flaw will remain uncorrected! ViewPoint 4 is available as a separate program that at you can use as a panel in DxO PhotoLab, as a standalone program, or as a plug-in for Adobe Photoshop Lightroom Classic, Adobe Photoshop, and Adobe Photoshop Elements. In just one click, restore the natural proportions to deformed subjects by applying corrections that are perfectly adapted to your equipment.Ĭorrect the different types of distortion affecting your lens. 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